Kierkegaard et la reprise esthétique du topos symposiaque

digital

Article

journal	RIVISTA DI FILOSOFIA NEO-SCOLASTICA
issue	RIVISTA DI FILOSOFIA NEO-SCOLASTICA - 2013 - 3-4
title	Kierkegaard et la reprise esthétique du topos symposiaque
subtitle	Note sur l'écriture atmosphérique dans "In vino veritas"
author	Christophe Perrin
publisher	Vita e Pensiero
format	Article \| Pdf
online since	02-2014
issn	00356247 (print) \| 18277926 (digital)
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Description Readers' comments
As the first text of Stages of Life’s Ways, In vino veritas is not the most quoted text by Kierkegaard. However, its study can teach us a lot on the pseudonymic method, the expression of aesthetics, but also on the way, after Platon, in which Kierkegaard transforms the banquet into a place, or a climate of a speech on truth. This article will locate this unknown piece of writing, will remind the point of it so as to explain its role in the existential topology and will propose an interpretation from its speech and rhetorical devices. This way, it aims at defining some modalities in the style of atmospheric writing proper to Kierkegaard, and through which existence is being communicated. Keywords: Kierkegaard, banquet, aesthetics, style, rhetoric Enter a comment for Kierkegaard et la reprise esthétique du topos symposiaque

Description Readers' comments

As the first text of Stages of Life’s Ways, In vino veritas is not the most quoted text by Kierkegaard. However, its study can teach us a lot on the pseudonymic method, the expression of aesthetics, but also on the way, after Platon, in which Kierkegaard transforms the banquet into a place, or a climate of a speech on truth. This article will locate this unknown piece of writing, will remind the point of it so as to explain its role in the existential topology and will propose an interpretation from its speech and rhetorical devices. This way, it aims at defining some modalities in the style of atmospheric writing proper to Kierkegaard, and through which existence is being communicated.

Keywords: Kierkegaard, banquet, aesthetics, style, rhetoric

Enter a comment for Kierkegaard et la reprise esthétique du topos symposiaque