The idea of virtuosity in Kierkegaard's thought

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Article

journal	RIVISTA DI FILOSOFIA NEO-SCOLASTICA
issue	RIVISTA DI FILOSOFIA NEO-SCOLASTICA - 2013 - 3-4
title	The idea of virtuosity in Kierkegaard's thought
author	Elisabete M. de Sousa
publisher	Vita e Pensiero
format	Article \| Pdf
online since	02-2014
issn	00356247 (print) \| 18277926 (digital)
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Description Readers' comments
In a first moment, I explain the idea of musical virtuosity as seen and experienced in Kierkegaard’s day, using mainly the example of Franz Liszt and Niccòlo Paganini. The illuminating consequences of the virtuosic performance for the issue of simultaneity of presentation and representation are analysed in detail. In a second moment, I provide commented examples of Kierkegaard’s use of the concepts of the virtuoso and virtuosity, as applied to Emmeline and her creator, Eugène Scribe, Johannes the Seducer and Judge William. The operational value of the concepts is also focused on the cases of the woman and the creative writer. Keywords: the Virtuoso, virtuosity, presentation, representation, performance, mood, voice Enter a comment for The idea of virtuosity in Kierkegaard's thought

Description Readers' comments

In a first moment, I explain the idea of musical virtuosity as seen and experienced in Kierkegaard’s day, using mainly the example of Franz Liszt and Niccòlo Paganini. The illuminating consequences of the virtuosic performance for the issue of simultaneity of presentation and representation are analysed in detail. In a second moment, I provide commented examples of Kierkegaard’s use of the concepts of the virtuoso and virtuosity, as applied to Emmeline and her creator, Eugène Scribe, Johannes the Seducer and Judge William. The operational value of the concepts is also focused on the cases of the woman and the creative writer.

Keywords: the Virtuoso, virtuosity, presentation, representation, performance, mood, voice

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The idea of virtuosity in Kierkegaard's thought

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