Le categorie tra logos ed essere. Molto più di una (lunga) storia

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Article

journal	RIVISTA DI FILOSOFIA NEO-SCOLASTICA
issue	RIVISTA DI FILOSOFIA NEO-SCOLASTICA - 2020 - 2. Ethica e Passions de l’âme Spinoza con e contro Descartes
title	Le categorie tra logos ed essere. Molto più di una (lunga) storia The Categories between Logos and Being. Much more than a (Long) Story
author	Gualtiero Lorini
publisher	Vita e Pensiero
format	Article \| Pdf
online since	07-2020
doi	10.26350/001050_000204
issn	00356247 (print) \| 18277926 (digital)
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Description Readers' comments
The paper retraces and critically discusses the essays contained in the two volumes at stake, which are dedicated to the «categories» in the history of Western thought. By shifting freely between the two parts of the project, the proposed analysis aims to highlight both the possible connections and the problematic points that arise from the treatment of concepts so central that they are sometimes, and paradoxically, uncritically assumed. In this panorama the historical reconstruction and the theoretical investigation cooperate, in order to effectively render the richness and complexity of the picture. keywords Categories, Metaphysics, Ontology, Logic, Western Philosophical Tradition Author biography Università Cattolica del Sacro Cuore, Milano. Email: gualtiero.lorini@unicatt.it Enter a comment for Le categorie tra logos ed essere. Molto più di una (lunga) storia

Description Readers' comments

The paper retraces and critically discusses the essays contained in the two volumes at stake, which are dedicated to the «categories» in the history of Western thought. By shifting freely between the two parts of the project, the proposed analysis aims to highlight both the possible connections and the problematic points that arise from the treatment of concepts so central that they are sometimes, and paradoxically, uncritically assumed. In this panorama the historical reconstruction and the theoretical investigation cooperate, in order to effectively render the richness and complexity of the picture.